Short film that follows a single night in the life of a young insomniac.

This horror satire tells the story of a pop culture-obsessed serial killer who terrorizes L.A. Through his Manifesto entries we discover his mission, to bring Americans together by killing everyone equally and confronting the ‘final boss’ - a man simply known as ‘Freddy’. A gleefully warped odyssey, through the psyche of America itself.

1984. Produced by Steven Spielberg, fresh off the historic success of E.T., a film that blended horror and comedy managed to break Warner’s box-office record, spark a parental controversy, become the first merchandising success since Star Wars, and lay the groundwork for satire, six years later, of that very commercial success—in a kamikaze sequel that threw its original blueprint overboard, replacing it with the most anarchic spectacle ever produced with a blockbuster’s budget. A look back at Gremlins 1 & 2, the most irreverent phenomenon of its time, as told by its director and his closest collaborators—the real parasites behind this prophetic sabotage!

A Universal Pictures comedy short

女子高生の奥矢夢子には、人には言えないある能力があった。2 w' z; l z# K7 v 毎夜「予知夢」を見ること。それも決まって人が殺される夢を。ある日、夢子は少女が廃虚の様な場所で男に惨殺される夢を見る。だが、自分の夢に怯え、誰かが殺されることを知りながらも何もすることができなかった。 そんな折、同じマンションに住む子供が母親の暴力で虐待死する夢を見る。夢の中で死んでいった子供の姿が頭にこびりつき、何とも言えない罪悪感にさいなまれた夢子は、翌朝児童相談所に連絡をとる。 あのかわいそうな子供をどうにかしたい一心で。結果、夢子の電話のおかけでその子供は無事保護され、虐待から助けることができた。その時夢子は気付く。 “私が見た夢で殺された人を、私は救えるかもしれない…” 夢子は初めて自分の夢に立ち向かう決意をするのだった。 早速夢子はあの廃墟での殺人予知夢を解読し始める。 病院の廃墟。風車小屋。「松田」という表札の豪邸。 女子高生。猫背の男。血のついたナイフ。 赤い車。ミラーにかかるマスコット。眼鏡の男。 竹中平吉と書かれた名刺… 翌日、夢子は手始めに「松田」という家を探し始める。その家こそ、血塗られたむごたらしい過去を持つ、「惨劇館」とも知らずに…そして夢子をどん底にたたき落とす、恐ろしい真実の幕が開かれた！

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Lera Valetskaya is a happy housewife who has completely devoted herself to her children and her beloved husband Victor, a police major. But what if she has to find out that her husband is not at all who he pretends to be? Illegal affairs and a double life - a young operative Gleb Smyslov helps Lera to see the true face of a loved one. A long-term marriage collapses overnight. Now they have to decide whether they are ready to remain a family and whether they will be able to stand together against the gangster group — friends from Victor's past life.

An insomniac who lives in a sterile urban environment has a strange waking dream one night in which he experiences a surreal adventure incorporating wild nature and sexual freedom.

Inspired by Dave Attell's popular Comedy Central series, this concert movie deposits him and three fellow comics, including the wildly popular Dane Cook, at the House of Blues in Las Vegas to deliver some raucous and frequently funny material before an appreciative crowd. Those who know Attell's misanthropic stage persona from his series won't be disappointed by his material here, though he functions mainly as host for his three co-headliners. Rouse takes the easy route with jokes aimed straight for the heart of the rowdy audience (sex, booze, drugs), Giraldo mixes gags based around fatherhood with some political humor, while Cook, whose status has blossomed to near-superstardom thanks to tours like this, is broad and fairly foul-mouthed, but gives an engagingly manic performance, which is well received by the heavily lubricated twenty-something crowd.

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.